Wednesday, October 12, 2005

Martin Prechtel


CHOREOGRAPHED DISASTERS

"In the Guatemalan village of Santiago Atitlan, people used to build their houses out of traditional materials, using no iron or lumber or nails, but the houses were magnificent.
Many were sewn together out of bark and fiber.
The house that a person sleeps in must be very beautiful and sturdy, but not so sturdy that it won't fall apart after a while.
If your house doesn't fall apart, then there will be no reason to renew it.
And it is this renewability that makes something valuable.
Because the village huts were not built to last very long, they had to be regularly renewed.
When your house was falling down, you invited all the folks over.
Once the house was back together again, everyone ate together, praised the house, laughed and cried.
In some ways, crises bring communities together but Mayans don't wait for a crisis to occur; they make a crisis.
Spirituality is based on choreographed disasters - otherwise known as rituals - in which everyone has to work together to remake each other's houses or the community or the world.
Everything HAS to be maintained because it was originally made so delicately that it eventually falls apart.
It is the putting back together again, the renewing that ultimately makes something strong.
That sort of constant renewal is the only permanence we should wish to attain."

Martin Prechtel: http://www.floweringmountain.com



DAY 1: Semana Santa in Santiago Atitlan from A Mayan Journey on Vimeo.

Tuesday, October 04, 2005

Alan Lomax




THE TRUTH ABOUT LEVEES

The levee is always close by
A great, groaning serpent
Running through woods, swamp, farm and city
It is the distinctive spiritual and cultural feature
Of the Gulf Coast landscape

Realize that these huge dikes were erected
By People Power
Black muleskinners urging on their teams
With wild work calls and African melodies
Ancient Black Magic Songs built these levees

Before the levees
Ancestors of the Indigenous Ones raised mounds
To which they retreated
In times of high water

In the 19th Century
Planters and Industrialists piled up small embankments
Against the floods
Giving way in the 1870's and 1880's
To newly-empowered Levee Boards

Inconceivable but true
These huge early earthworks were built up
One load at a time
By Barrow Men, Hoppers and Convict Gangs
Leased, driven and dumped on

Working slips and wheelers
Dead Beat, Dead Broke, DirtMen
Hitching Around
Stomping the ground
Of Levee Camps, Railroad Fills, Canals and Dams

Adapted from Alan Lomax's
LAND WHERE THE BLUES BEGAN
1993